Like many others, Brayden Guerrette and his older sister Sydney have had their fair share of their mental health struggles since they were young. Back in their hometown of Portland, Maine, during a very intimate exchange on their kitchen floor, Brayden Guerrette finally opened up to his parents and older sister about his dealings with depression.
“We were just sitting there and he was just in tears, and as someone who is watching a family member and someone that they love go through something like that, it’s always very difficult because you don’t know what to do most of the time,” Sydney says. “All you can really do is be there for them continually.”
After this exchange, the Guerrette family took a leap of faith for the sake of their family’s mental health and sold their house, bought an RV and started their journey across the country in hopes of a healthy, fresh start.
To run a business single-handedly is a challenge in itself, but to wear all those hats and still have room for a family is a feat worth admiration.
Joshua Teichroew, owner of Lookout Prints, has achieved his dream of self employment, while running his business from the comfort of his own home and becoming a social media influencer. Teichroew creates hand printed shirts, and he started showcasing his work on Instagram shortly after his company launched. It allowed him to share his business and be an inspiration to a large audience. He strives to become not only a role model to other entrepreneurs, but also his four-year-old son David
“I was never close to my family growing up, but for me…I want to be closer to them [and] be there for them” Teichroew expressed. “I want to teach them how to live life. It’s ok to be different, it’s ok to not want to do what the world tells you to do.”
Once a month, art galleries across Chattanooga collectively open their doors to the public for special gallery showings. The event, coined “First Friday” allows local Chattanoogans and tourists to see new art pieces, mingle with artists, and support their local community.
One gallery spearheading the event in Chattanooga is Area 61. Keeli Crewe has been the curator of Area 61 since its inception in 2009. Crewe is the first face one will see when visiting Area 61, and it is clear from her vibrant smile that she is living her dream.
Across the greater Chattanooga area lies fertile soil which farmers nurture to cultivate life. Their soil is the vehicle to meet many beyond their own sphere — even the art world.
Local Chattanooga artist Amanda Brazier has been painting solely with pigments pulled from soil for the past 14 years. Holly Martin, owner of Gaining Grounds Grocery saw the potential to connect Brazier’s unique art medium with her mission to create a sustainable grocery alternative for Chattanooga’s food desert.
As soon as it was proposed to Brazier, she had an immediate and organic idea. “When [Martin] approached me about the idea of a mural connecting all these ideas, I mean it just came to me immediately.”
Brazier knew she could take the soil from Chattanooga farmers and create a beautiful mural for the grocery store.
The idea was to create a mural that is made of pigments from local sources as well as farms that provide inventory to Gaining Grounds Grocery. Then began the rush to gather soil from Chattanooga farmers, community gardens and other local means. Brazier and Martin gathered a list of over 10 farms that supply the store with their produce and took to the fields to gather soil.
Brazier interviewed the farmers about the history of the lands they work and what connects them to the soil under their fingernails.
“It’s a life blood. Without the soil and beautiful greenery and forage it provides, we wouldn’t be able to do what we do,” explains Mack Haynes of the Ocoee Creamery, one of the many farms Brazier visited.
Creating the paint for the mural was one of the toughest parts of the process. Brazier usually creates her paint to be water based, but needed to change her medium to fit the project. To create a durable and long-lasting mural, she chose to use acrylic paint.
“I’ve learned from this experience and most of what I’ve learned is that making acrylic paint from these soil pigments is tricky. Every dirt is different and requires lots of time to understand how much of each [ingredient] is required.”
To engage the community in this process, the first day of painting began with a community paint day at Gaining Grounds Grocery store. Many members of the local area joined and got the base layers on the mural laid down, but it left Brazierwith plenty of work to finish up in her studio. Luckily, she has two assistants and two bright-eyed sons to lend a hand.
With the mural finished, the final piece was revealed at Gaining Grounds Grocery. A reveal party was held at the Saint Andrews church where the grocery is located. Garnished with vegan foods and local dirt experts, the event was lively with new faces and like minded individuals.
The two-piece mural project hangs currently in the entrance hall of Gaining Grounds Grocery and inside the store itself. Alongside the mural is a key that associates each paint color with the location of the dirt that created that pigment.
The goal of The Field Below project was to connect the community with the local farmers that supply the grocery with produce. At the unveiling, community members, Brazier and the people who bring Gaining Grounds Grocery’s mission to life mingled and gathered to share a meal.
This artistic rendition of the connection between community, agriculture, and food reignites the appreciation of the substance we all walk upon.
Jerod Niles is a multimedia producer who specializes in camera operation and post-production. Niles has over 5 years of experience in media production and is always looking towards the future. He is currently working on multiple freelance jobs as well as a media internship for Wanderlinger Brewery. You can find more of his work as well as contact information on his portfolio here: https://www.jerrodniles.com/
All was well in Coolidge park as a band of cosplay superheroes patrolled to keep the peace. Should a villian arrive to foil the fun, could these three actually stop a catastrophe of epic proportions? Hopefully we’ll never find out, but they sure looked the part.
Jora Burnett, Jessica York, and Mica Morgan are three friends who have been cosplaying together since 2019 here in Chattanooga. When they’re not maintaining their secret identities Morgan and Burnett being art teachers and York a writer who specializes in horror, these three come together after hours forming group cosplays stylizing their favorite characters.
Ana Leonard, small in stature with a shaved head, is a student, artist, and documentary photographer. Creating art centered around togetherness and gathering became difficult among a pandemic causing division and loneliness. Leonard began to experience this difficulty when it came time for her Senior Thesis Exhibition at The University of Tennessee at Chattanooga.
Laura Johnson answered the door with her goldendoodle, Willow, resting on her hip. She invited me into her home in historic St. Elmo, and took me into her studio. Each wall was filled with plans, pots waiting to be fired, and finished creations of her own design.
Aisy Nix, sophomore at The University of Tennessee at Chattanooga, operates a personal business, reworking thrifted and vintage clothes. Nix creates colorfully patched, embroidered, and acid-washed masterpieces out of the “tired” clothing someone else decided to ditch.
Her mission is to offer a sustainable clothing option for people in her community.
“Fast fashion [in larger clothing corporations], utilizes child labor without taking into consideration the environmental impacts,” says Nix.
Nix started selling acid-wash reworks in the summer of 2019. Thanks to self-taught sewing lessons, her success and creative progress has grown significantly since.
Throughout her business and creative endeavors, Nix has learned, “the more chances you take, the more likely there’s going to be a positive outcome.”
Check out Nix’s work and business profile on Instagram, @a.z.thrift.
Stephanie Swart is a Senior Innovations in Honors student pursuing a BFA degree in Photography & Media Art, with a double minor in Art History and Communication at the University of Tennessee at Chattanooga. She is the Photo Editor for UTC’s newspaper, University Echo, and the Managing Editor of UReCA: The NCHC Journal of Undergraduate Research and Creative Activity. Swart is a storyteller and truth seeker, and she plans to continue these pursuits beyond her time at college.
As soon as you set foot through the door, one’s senses are tested with a wild, colorful array of paintings and sculptures. After a few seconds, the soft jazz starts to reach your ears and by this time, Keeli Crewe, gallery director at Area 61 is probably excitedly showing you her new favorite piece.
A massive wooden door waits to be opened as friends and participants gather around a fire burning in the alley way. Alice Waller, with her poodle Fin in hand, greets everyone warmly and opens the door to not a room, but to some place ethereal, some place where magic lives.
Hundreds of pink and white roses, eucalyptus and baby’s breath are entangled and bursting out of over five hundred body castings–a visual representation of sexual assault survivors and their journey through healing.
The name of the installation is a call to victory, as well as a call to action, “I Will Not Let Him Win in Death,” urging onlookers that the fight is not over and there is much more to be discovered and reclaimed beneath the surface.
“I wanted it to look overgrown,” Waller says, “as if it had been here for a really long time. People speaking out has been around as long as injustice has been around. It’s listening that is new.”
Alice Waller is a local Chattanooga artist and voice within the community, fighting for the liberation of female bodies.
Waller sits in the dead center, with her back to her creation and explains the origin story of how this intimate installation came to be.
“I wanted to do something that was an homage to how my body has experienced sexual trauma but then re-experience it through physical pain. So I started that during quarantine and then I asked my close friends if I could cast them,” Waller says.
Waller began this journey by casting the breasts of 200 women, for the 200 dollars that Jeffrey Epstein paid his victims to recruit other minors to be subject to sexual abuse. While originally, the installation was fueled by Epstein’s crimes, she says that she could never give Epstein that much credit.
On a post made from her Instagram, she says, “the installation is a part of my heart and a part of theirs.”
“Anytime something like Kavanuagh, or R. Kelly, or Weinstein comes up, you feel this universal groan of survivors — that I have to do something and so it felt really urgent that I had to involve other women and other survivors and make it something where, ‘this is what has made me feel empowered, here you try’ and it grew naturally. After that I hit 200 which was my original goal within 2 months and doubled it within the first month of viewings.”
As Waller looks towards the final viewings of her installation, she offers insight on moving forward in the healing process of being abused, “it was about feeling safe in my body again because I think what people don’t talk about with sexual trauma specifically is that everytime you see your own body — you’re revisiting the ways that it’s been abused.”
Waller says that the whole project was to help women who may also feel that way, and to redeem that and feel safe again when they look at themselves. She weighs in that there is something deeply spiritual about having a cast done, as well as physical, once the cast has been lifted off.
“Each woman who sits across from me shares something that they have never shared before,” Waller says, as she revisits her meetings and interactions with survivors, “they spiritually and mentally get something off their chest and then by the end of the experience they are having something taken off their chest.”
Waller says she isn’t angry anymore, but a dominant emotion of peace, rest, and joy has taken its place. She believes that people must have grace and patience with oneself during the healing process. She says, “have grace for the ebbs and flows. I’ve just grown in grace and flow through the periods of time where we’re gross and we’re angry and I just allow that now. I’ve developed ways to still include people in my life and not shut people out but let them know that this is a season that I’m in and I allow space for the joy and the laughter.”