St. Peters and Paul Basilica located in Chattanooga, Tennessee has been an influential part of the community since its construction dating back to 1888-1890 in bringing the community together in worship. Holding recognition for being listed on the National Register of Historic Places, the potential development of a 12 story building nearby sparked conversations of the risk of shading the beautiful ambiance of the hand painted, stained glass windows. The church and community came together to protect their sacred foundations in harmony with local construction developers.
In the heart of downtown Chattanooga, TN, where brick and modern storefronts stand shoulder to shoulder, the Basilica of St. Peter and Paul rises with a quiet glory. For more than a century, its twin spires and complex stonework have anchored East Eighth Street, drawing worshippers, visitors, and observers into a space defined by reverence and light. It is a church known not only for its architectural beauty, but for its roots in the civic and spiritual life of the city.
In December 2025, word reached Father David Carter, pastor and rector of the basilica, that a zoning change had been proposed for the property directly behind and beside the church. Initially, plans indicated that an existing three-story building on Lindsay Street would be replaced by a six-story structure. Development is not uncommon in a growing city, and at first, the proposal seemed manageable.
Jackie Sims and Maggie Clark in the Basilica of Saint Peter and Paul. The pair go to different churches as they travel, and this is the first time they see the Basilica, with its stained-glass windows. Thursday, February 12, 2026. Photo By Cj Copeland
Suddenly, the plan changed, and the six-story concept became a 12-story apartment building.
The anonymous artist behind Potholes of Chattanooga cleans up her street installation. The 70s-classic smiley face is accompanied by morse code that reads “S-M-I-L-E” (Photo by Kayleyn McCaslin).
A dip of the steering wheel. An unexpected two-inch drop down. A sudden slosh of hot coffee. Another Chattanooga pothole deep enough to drown a tire, and wide enough to ruin a morning. While any street in the city has its own inconvenient imperfections, some gaps are filled by something unexpected: bright yellow mosaic smiley faces, grinning up from the asphalt.
They appear subtly, often overnight, on side streets that usually don’t warrant second thought. Evenly spread throughout town, there is no rhyme or reason to the installations other than the fact that they each take the place of a pothole. But this is not the city healing broken pavement.
Instead, it is the work of a faceless mosaic artist who has sought both personal revenge and silly enjoyment by filling potholes in secret.
Kendra Norwood and her hula students hit the final pose of a dance combination. The free dance class was hosted at Studio 34 in Chattanooga by The Pop-Up Project. Monday, November 23, 2025. (Photo by Sydney Banks)
Chattanooga, Tennessee, is a blooming, bustling city in every sense of the words. Beyond its iconic natural landscapes, it thrives with a vibrant arts culture. Theater companies, music clubs, dance classes, the ballet, the symphony, and many other groups are among the most pivotal organizations in the community.
In January 2025, ArtsBuild, a private non-profit arts organization, announced a feasibility study to evaluate the need for a new performing arts center (PAC) in Chattanooga. Despite its vibrant arts scene, the city is grappling with a major issue: a lack of appropriate, flexible, mid-sized performing arts facilities. Local artists are restricted to rehearsing and performing in spaces that are unable to accommodate each type of audience; an aspect of the performing arts that is extremely important to the viewer’s experience.
This study examined the disconnect between local art groups and their individual struggles with limited space. Project manager Blake Harris, an adjunct professor at the University of Tennessee and the artistic director of the local theater company Obvious Dad, initiated the study after recognizing these issues.
Tim Kelly, Mayor of Chattanooga, Tennessee, speaks about the city becoming the first National Park City in the Americas. Chattanooga earned the title on April 3rd, 2025, after over two years of community effort. Also called the “Scenic City,” Chattanooga is acclaimed for its access to the outdoors and rich history.
Deep in the Appalachian foothills, and along the Tennessee River, lies America’s only National Park City (NPC). A historically significant city tucked in the Tennessee Valley, home to over 100 parks and a community uniquely invested in outdoor culture, helped make Chattanooga, Tennessee, the third NPC in the world. Chattanooga earned the NPC title on April 3, 2025, just 55 years after being named the dirtiest city in the United States.
In 2019, Daniel Raven-Ellison founded the NPC movement by establishing London as the first city to adopt the vision of building a new collective understanding of what a city is and who it is for. The National Park City Foundation combines long-term and large-scale versions of National Parks within cities.
Abraham Mako rows by the Bluff View Art District on the Tennessee River during sunrise Wednesday, September 24, 2025 (Photo by Clara Paulson).
“That’s the whole idea behind the NPC campaign – locals working hard to protect, cherish, enjoy, and celebrate nature all around,” said Scott Martin, Chattanooga’s former administrator for the Chattanooga Parks and Outdoors.
Cash Daniels, a 16-year-old conservationist, offers insight into his efforts to clean up plastic waste by focusing on fishing line. With his initiative now operating in six states, Daniels has garnered national attention and accolades for his projects and hopes to continue raising awareness about plastic waste clean-up.
Walking along the shoreline, a small plastic straw reflects the sun’s rays and catches a child’s eye, sparking a life dedicated to making a change in the man-made, polluted environment. At the age of 7, this is precisely what happened to Cash Daniels.
“Before that, I had always loved getting out on the river: fishing, kayaking, swimming, things like that. When I found that plastic straw, I knew it would harm the animals in the environment that I loved, so I knew I had to do something to help defend it,” said Daniels. “Due to that, I have been able to remove 46,000 pounds of trash from the river so far.”
Cash Daniels shows off a jar of his collected fishing line. Throughout Cash Daniels’ conservation efforts, he collected over 2,200 miles of used fishing line. Thursday, October 15, 2025 (Photo by Corbin Winters).
Plastic waste is ever-present on the banks of the Tennessee River and Chattanooga Creek, harming aesthetics and the biodiverse habitats. With these waterways so close to Daniels’ home, he felt a personal responsibility to do something to help sustain and improve them. Daniels, now a 16-year-old Chattanooga, Tennessee native, has shown his passion for cleaning up the environment around him by constructing and placing fishing line recycling bins in six states.
Dr. Bernie Kuhajda, an Aquatic Conservation Biologist at the Tennessee Aquarium Conservation Institute (TNACI), speaks about the critically endangered Laurel Dace. The small minnow is only found in three streams along Walden Ridge. TNACI rescued the last remaining population during a historical drought in the summer of 2024.
50 miles North of Chattanooga, a thumb-sized anomaly swims between the rocks and moss of the small streams on Walden Ridge. To the unknown eye, these fish, known as the Laurel Dace, could easily be overlooked or mistaken for any other small freshwater fish that is found in East Tennessee. The rarity of the fish doesn’t come only from their size and characteristics, but the extremely specific area they are found. Since their discovery in the 1950s, the Laurel Dace have only been found in one location in the world, Walden Ridge.
The limited environment the Laurel Dace inhabit causes an extremely small population to begin with. In 2011, the U.S. Fish and Wildlife Service officially listed the Laurel Dace as endangered under the Endangered Species Act (ESA). From first discovery, this species was found in only nine streams at Walden Ridge, but over the past 25 years, that number has shrunk drastically. Over several decades, because of continued agriculture, dry seasons, and increased sedimentation, the Laurel Dace are now only seen having a healthy population in Bumbee Creek on Walden Ridge.
Once the fish were recognized as critically endangered, the Tennessee Aquarium and the Tennessee Aquarium Conservation Institute (TNACI) stepped in and began their preservation efforts. Over time, the TNACI continued to keep a close eye on the Laurel Dace by studying their environments and behaviors. Several rescues have been conducted where teams would go to Bumbee Creek and take several fish into their care for further monitoring and research. Through their ongoing observations in the wild, the TNACI was also able to take fast action to save the Laurel Dace when circumstances became drastic.
Marcy Paulson, a Chattanooga-based musician, was born with Leber congenital amaurosis, a degenerative eye disorder. As a child, Marcy often encountered pity from peers and strangers; one friend even expressed her concerns that Marcy would never be able to fall in love. But Marcy proved she could hear the world more vividly than most could see it. Through music, she found true joy, her husband, and a lifelong passion.
Meet the Storyteller
Clara Paulson is a Junior Communication major attending the University of Tennessee at Chattanooga with minors in Brock Scholars and Creative Writing. Clara has experience writing stories and working as an assistant Photo editor for the Echo, co-hosting a podcast on the Perch, and writing poems for the Sequoya Review. After graduation, her goal is to continue storytelling. She hopes to write—whether it’s with ink or light—the unheard stories of Chattanooga and beyond. If you want her to write your story, you can reach out to her at tnq894@mocs.utc.edu.