The Southeastern Climbers Coalition (SCC) is a grassroots non-profit coalition with only three employees. Although, throughout the past 29 years they have had hundreds of helping hands working to conserve and preserve publicly accessible climbing areas in Tennessee, Georgia and Alabama.
Caleb Timmerman recently became that third employee in the form of marketing director for the SCC. Here he helps tell the story of climbers and conservationists who have fought to keep public land accessible to all.
“Access to outdoor rock climbing in the southeast is never guaranteed,” Timmerman says. “It takes a community of people who care deeply about this outdoor resource to come together and form a coalition to protect that access.”
It’s estimated that over 2 million people visit caves annually in the United States. Brandon Powers is one of them, having been an avid caver for over two decades. He has been working with Chattanooga Hamilton County Rescue Services since 2016 and now holds the rank of captain.
“Caving, in general, is a sport that I feel like a lot of people don’t have a tremendous amount of information about, and you can find yourself way over your head real quick,” says Captain Powers.
Ronnie Dickson was diagnosed with Trevor’s Disease at age five. This rare congenital bone disease stunted the growth in his left leg and caused intense discomfort that led him , at the age of 17, to opt for total limb removal.
Two years after his above-the-knee amputation, Dickson found comfort and interest in the sport of climbing and took to the vertical world where legs weren’t always necessary.
What was once a thriving advocacy group for Native American preservation work in Chattanooga has slowly fizzled over time, but it’s cause still stands. The Chattanooga Intertribal Association (CITA) has existed for twenty years, and Tom Kunesh, the former Public Relations Chairman, tries to maintain the spirit of their work to this day.
In 2017 green|spaces Chattanooga started a hands-on program to encourage STEM learning in Hamilton County students through designing and building race cars. The Chattanooga Green Prix, this year held at the Bend in downtown Chattanooga, allowed hundreds of students from 40+ schools to put their full-sized, functioning electric power race cars to the test.
Across the greater Chattanooga area lies fertile soil which farmers nurture to cultivate life. Their soil is the vehicle to meet many beyond their own sphere — even the art world.
Local Chattanooga artist Amanda Brazier has been painting solely with pigments pulled from soil for the past 14 years. Holly Martin, owner of Gaining Grounds Grocery saw the potential to connect Brazier’s unique art medium with her mission to create a sustainable grocery alternative for Chattanooga’s food desert.
As soon as it was proposed to Brazier, she had an immediate and organic idea. “When [Martin] approached me about the idea of a mural connecting all these ideas, I mean it just came to me immediately.”
Brazier knew she could take the soil from Chattanooga farmers and create a beautiful mural for the grocery store.
The idea was to create a mural that is made of pigments from local sources as well as farms that provide inventory to Gaining Grounds Grocery. Then began the rush to gather soil from Chattanooga farmers, community gardens and other local means. Brazier and Martin gathered a list of over 10 farms that supply the store with their produce and took to the fields to gather soil.
Brazier interviewed the farmers about the history of the lands they work and what connects them to the soil under their fingernails.
“It’s a life blood. Without the soil and beautiful greenery and forage it provides, we wouldn’t be able to do what we do,” explains Mack Haynes of the Ocoee Creamery, one of the many farms Brazier visited.
Creating the paint for the mural was one of the toughest parts of the process. Brazier usually creates her paint to be water based, but needed to change her medium to fit the project. To create a durable and long-lasting mural, she chose to use acrylic paint.
“I’ve learned from this experience and most of what I’ve learned is that making acrylic paint from these soil pigments is tricky. Every dirt is different and requires lots of time to understand how much of each [ingredient] is required.”
To engage the community in this process, the first day of painting began with a community paint day at Gaining Grounds Grocery store. Many members of the local area joined and got the base layers on the mural laid down, but it left Brazierwith plenty of work to finish up in her studio. Luckily, she has two assistants and two bright-eyed sons to lend a hand.
With the mural finished, the final piece was revealed at Gaining Grounds Grocery. A reveal party was held at the Saint Andrews church where the grocery is located. Garnished with vegan foods and local dirt experts, the event was lively with new faces and like minded individuals.
The two-piece mural project hangs currently in the entrance hall of Gaining Grounds Grocery and inside the store itself. Alongside the mural is a key that associates each paint color with the location of the dirt that created that pigment.
The goal of The Field Below project was to connect the community with the local farmers that supply the grocery with produce. At the unveiling, community members, Brazier and the people who bring Gaining Grounds Grocery’s mission to life mingled and gathered to share a meal.
This artistic rendition of the connection between community, agriculture, and food reignites the appreciation of the substance we all walk upon.
Jerod Niles is a multimedia producer who specializes in camera operation and post-production. Niles has over 5 years of experience in media production and is always looking towards the future. He is currently working on multiple freelance jobs as well as a media internship for Wanderlinger Brewery. You can find more of his work as well as contact information on his portfolio here: https://www.jerrodniles.com/
A small cluster of binoculars and pointed fingers aim excitedly toward a skyline of trees on the Reflection Riding nature walk as members of Chattanooga’s Ornithological Society search for a cawing American Crow.
Campus is beginning to look the way it did before COVID-19 pushed students, faculty, and staff to return home and begin learning and teaching classes online. The students of Rising Rock Media were tasked with a project for UTC’s Student Government Association: A Year of COVID-19. The class was split into three groups and covered the past, the future, and a general overview of life in the pandemic. Our hope is that this series helps our friends, classmates, and teachers to feel stronger about the challenges that we overcame together, and provide a light into an unknown, but brighter future.
Aisy Nix, sophomore at The University of Tennessee at Chattanooga, operates a personal business, reworking thrifted and vintage clothes. Nix creates colorfully patched, embroidered, and acid-washed masterpieces out of the “tired” clothing someone else decided to ditch.
Her mission is to offer a sustainable clothing option for people in her community.
“Fast fashion [in larger clothing corporations], utilizes child labor without taking into consideration the environmental impacts,” says Nix.
Nix started selling acid-wash reworks in the summer of 2019. Thanks to self-taught sewing lessons, her success and creative progress has grown significantly since.
Throughout her business and creative endeavors, Nix has learned, “the more chances you take, the more likely there’s going to be a positive outcome.”
Check out Nix’s work and business profile on Instagram, @a.z.thrift.
Stephanie Swart is a Senior Innovations in Honors student pursuing a BFA degree in Photography & Media Art, with a double minor in Art History and Communication at the University of Tennessee at Chattanooga. She is the Photo Editor for UTC’s newspaper, University Echo, and the Managing Editor of UReCA: The NCHC Journal of Undergraduate Research and Creative Activity. Swart is a storyteller and truth seeker, and she plans to continue these pursuits beyond her time at college.