We are Rising Rock Media, a dedicated and curious team of multi media content creators, journalists, audio engineers, and photographers. We have found that when we listen and look towards our community, that there is a seemingly never ending spring of stories, unique experiences, and important people who call Chattanooga home. We have collected and compiled a series of stories throughout the semester that remind us that we need one another. To learn from one another, to feel seen and represented by one another. Heroes. Those that we look to in times of grief and uncertainty to laugh with, be inspired and supported by. The year is coming to a close, and the devastation that 2020 has held causes us to peer inward, and pour outward toward our community — towards artists, dancers, local business owners, and creators of the like. One thing is for certain — people are fascinating, and these stories, we hope, will fascinate you too. Please enjoy these stories as we explore the heroes of our beautiful home, Chattanooga.
Click the story buttons in the next section of this page to learn about the hometown heroes that you may not know about.
The Ancient Greek comedians Aristophanes and Plautus were known for their focus on satire and farce. In modern times, comedians have developed into a budding community of satirists and artists of the laugh. Of those in the Chattanooga community, Elijah Craan is the comedian’s comedian.
Craan’s attention to detail and affinity for satire began in early 2014, when he did a stint of three comedy open mic nights at an eccentric laundromat in San Francisco, CA. He says, “I bombed. I knew I always wanted to do something creative, but I never had the discipline to learn an instrument or how to draw. But, as soon as I tried comedy, even though I bombed, I loved it. Since then, my comedy has evolved into what it is now.”
Even though his jokes had a rocky beginning on stage, his style now has developed into a myriad of poetically structured misdirection and sarcastic “it’s funny, but…” material. As his material covers many topics he touches on like politics, racism, and popular culture; his best work comes in talking about the absurdity of everyday life in the modern world.
What makes Craan different from the rest, though, would have to be the response his jokes have on the other comedians within the Chattanooga community. As the audience roars with cackling and screams of affirmation at open mics at locally owned businesses like JJ’s Bohemia, it is easy to understand how much the community admires him. These mics, mind you, are populated almost entirely by fellow comedians — the hardest crowd to impress.
Craan says, “I have a whole bit solely focused on elevator brands that I did for the first time recently. I do a bit of crowd work and ask ‘which is better, Otis or Thyssenkrupp?’ and if they say ‘Otis’ I tell them they’re wrong. This community of comedians has always had a great response to me. Even in more mainstream venues like the Comedy Catch, they often have more southern crowds and I get a good response from them as well.”
So, of all the comedians in Chattanooga who are also hilarious, why is Craan the hero featured in this segment? Because, he is a comedian who hones his craft while also reaching audiences and breaking social boundaries for comedians and those who need to laugh. In a time like this, someone who can do this is a hero.
To laugh some more, follow @ElijahCraan on Twitter.
On the corner of Martin Luther King Blvd. and Foster St. is a brewery that feels like a home-away-from-home to many Chattanooga locals. Oddstory Brewing Company opened its door to the city of Chattanooga after a son sparked up an idea to his father while drinking a beer.
Jay Boyd, co-owner of Oddstory, graduated from Covenant college and was determined on opening up a brewery. He then went on to work for four different breweries, and also went to a brewing school up in Vermont. After three years, his father Bryan Boyd, owner of Oddstory, felt like they were in a good place to open Oddstory Brewing Company.
“We started with six taps when we opened, and we now have 18 taps,” says Bryan. Oddstory is growing more and more with their variety of beers as the years progress.
Along with having an array of different brews, Bryan mentions that they intentionally made the brewery an environment for people to feel comfortable in. “We wanted to create an atmosphere where people talk,” says Bryan. “We kind of always felt like beer and talking went together, opposed to beer and isolation.”
In a place that encourages the comfort of having conversations with your friends and family, along with enjoying a beer that is unique, Oddstory has become a place that many have grown fond of.
“What Oddstory means to me is the ability to create this environment where family—my actual family is real important—but also I think we created an environment where at least our employees, and some of our customers, they feel like family,” says Bryan.
Oddstory not only started with family but grew the family with the Chattanooga community.
How can a man use his disability to inspire others to be a better version of themselves in a world filled with so many obstacles?
Lyndon “Linny” Stamper, a Chattanooga local, has cerebral palsy but that does not stop him from working out every day. Stamper has become a local celebrity at the YMCA for his dedication to fitness. Nearly every member that he comes across greets him warmly as he makes his way to the gym floor. Stamper is a beacon of inspiration for many of the other gym members, as he does not allow anything to get in his way.
Stamper says that he does not feel like he has a disability, “People look at a disability as something that brings them down, but I look at Cerebral Palsy as like God has given me this ability to shine the light on people with disabilities and show what we can do.”
Local gym members now know Stamper as “Mr. No Excuses” because he drives 15 minutes everyday to work out despite the obstacles that stand in his way. He says that he stays motivated by seeing how his actions are impacting others. “When I first started working out, people told me that I inspire them, or I motivated them to be here.”
When COVID-19 hit, Stamper had no source of income, so he started his own clothing brand called Grind Over Disability. His brand quickly became popular when the YMCA reopened and the members saw his new merchandise. Since the start of his operation, he has sold between 200 and 300 shirts. “What can I do to inspire other people, so I came up with this brand, Grind Over Disability. Something that people can wear and look themselves in the mirror and see no excuses on the shirt. Hopefully it pushes people a little harder,” Stamper says.
Stamper has no plans to slow down. He wants to expand his merchandise beyond just shirts. His hoodies and stickers will be available later this year. You can buy his merchandise and support his journey through Instagram @Lyndonmrnoexcusesstamper.
“The revelation that exists within art is, to tell the truth. You have to be able to be expressive, to be able to project but also to be vulnerable. Good artists can’t be cagey and have walls up. Being vulnerable is the revolutionary heart of every art form, says Melissa.”
Melissa Miller is a professional dancer, choreographer, and teacher at the dance studio located in Chattanooga Tennessee named “Ballet Esprit”. Growing up, Miller played soccer for some time, however, women do not have their own soccer league in Europe. That is when she decided to partake in something that women could have as their own, so she became a dancer at the age of 11. Miller danced all through middle and high school and traveled back to the states to earn her degree in dancing. She then moved to New York where she danced professionally for 5 years. After having her daughter, she came to the south where her husband’s family is from, thus landing her at Ballet Esprit.
“I grew up in a very artistic family.., so I always knew that my path would be in arts in some way,” says Miller. “ I think the reason I connect the most with dance is that it is an all-encompassing experience; it takes your mind, spirit, and body. It is also a relational experience, it requires an ability to project and communicate with people,” says Melissa. Miller says, “ I try less to share a message, but to ask a question, as honestly, humbly and with as much humanity as I can.”
History reveals that dance has always been a form of protest. “Dance is the only form of art that is directly tied to our bodies and physicality. This is important because as women, we can protest with our bodies against the social norms of how we are supposed to move and how our bodies are supposed to look,” says Miller. The studio Ballet Espirit’s, next appearance will be The ALTER- Nut, their annual winter benefit. All proceeds go to their “ Hold Our Space SPOT Venue Covid-19 relief campaign”. The event will be held on December 5, 2020, at 5:30 P.M. at Lookout Lake, 3408 Elder Mt. Rd.
A massive wooden door waits to be opened as friends and participants gather around a fire burning in the alley way. Alice Waller, with her poodle Fin in hand, greets everyone warmly and opens the door to not a room, but to some place ethereal, some place where magic lives.
Hundreds of pink and white roses, eucalyptus and baby’s breath are entangled and bursting out of over five hundred body castings–a visual representation of sexual assault survivors and their journey through healing.
The name of the installation is a call to victory, as well as a call to action, “I Will Not Let Him Win in Death,” urging onlookers that the fight is not over and there is much more to be discovered and reclaimed beneath the surface.
“I wanted it to look overgrown,” Waller says, “as if it had been here for a really long time. People speaking out has been around as long as injustice has been around. It’s listening that is new.”
Alice Waller is a local Chattanooga artist and voice within the community, fighting for the liberation of female bodies.
Waller sits in the dead center, with her back to her creation and explains the origin story of how this intimate installation came to be.
“I wanted to do something that was an homage to how my body has experienced sexual trauma but then re-experience it through physical pain. So I started that during quarantine and then I asked my close friends if I could cast them,” Waller says.
Waller began this journey by casting the breasts of 200 women, for the 200 dollars that Jeffrey Epstein paid his victims to recruit other minors to be subject to sexual abuse. While originally, the installation was fueled by Epstein’s crimes, she says that she could never give Epstein that much credit.
On a post made from her Instagram, she says, “the installation is a part of my heart and a part of theirs.”
“Anytime something like Kavanuagh, or R. Kelly, or Weinstein comes up, you feel this universal groan of survivors — that I have to do something and so it felt really urgent that I had to involve other women and other survivors and make it something where, ‘this is what has made me feel empowered, here you try’ and it grew naturally. After that I hit 200 which was my original goal within 2 months and doubled it within the first month of viewings.”
As Waller looks towards the final viewings of her installation, she offers insight on moving forward in the healing process of being abused, “it was about feeling safe in my body again because I think what people don’t talk about with sexual trauma specifically is that everytime you see your own body — you’re revisiting the ways that it’s been abused.”
Waller says that the whole project was to help women who may also feel that way, and to redeem that and feel safe again when they look at themselves. She weighs in that there is something deeply spiritual about having a cast done, as well as physical, once the cast has been lifted off.
“Each woman who sits across from me shares something that they have never shared before,” Waller says, as she revisits her meetings and interactions with survivors, “they spiritually and mentally get something off their chest and then by the end of the experience they are having something taken off their chest.”
Waller says she isn’t angry anymore, but a dominant emotion of peace, rest, and joy has taken its place. She believes that people must have grace and patience with oneself during the healing process. She says, “have grace for the ebbs and flows. I’ve just grown in grace and flow through the periods of time where we’re gross and we’re angry and I just allow that now. I’ve developed ways to still include people in my life and not shut people out but let them know that this is a season that I’m in and I allow space for the joy and the laughter.”
WUTC’s Scenic Roots has recently collaborated with Rising Rock Media to create Rising Rock Radio. Rising Rock Media, a UTC course taught by Billy Weeks, unites students with a variety of creative talents under one goal – storytelling. The radio show will include stories from Rising Rock’s ‘Art as Protest’ and ‘Ordinary Heroes’ segments with features from Photojournalism students. We invite you to share local stories that UTC students have produced, directed, and edited.
As Ray Bassett, editorial director and host of Scenic Roots, states “They know how to tell stories. Stories with heart; stories about life here in Chattanooga and stories off the beaten path,” he said. “These are examples of storytelling of this generation, by this generation but not only for this generation but for everybody.”
With the help of Scenic Roots, Rising Rock Radio is eager to share stories that are not only waiting to be told, but stories that need to be told.
Rising Rock will share their audio stories of documenting Chattanooga starting December 3, 2020 and running through January 2021.
Tune into Scenic Roots on WUTC 88.1 FM on Thursdays from 3-4pm and again at 8pm.
You’re walking through the streets of downtown Chattanooga, mask on, sweat dripping down your head from the summer’s intense humidity. You have passion in your heart and a sign in your hands, fighting for something much larger than yourself. You are protesting.
Local rapper Cameron “C-Grimey” Williams uses his music as another way to protest. His songs Live Together and Glimmer of Hope play at protests around Chattanooga. Williams started making music about 15 years ago and specializes in writing his own lyrics. His inspiration comes from his own life experiences as well as experiences from people in the community, current events and most importantly, real life situations. Grimey says music is an easier way to convey a message rather than speaking on it.
C-Grimey speaks about what it will take for the community to influence change once these messages have been heard. “It’s going to take the community educating themselves on how they have power in this wonderful democracy.”
As far as what is next for C-Grimey, he released a Chattanooga Ted Talk on November 8th where he discusses racism in America before COVID. He also discusses how the movement has come together in Chattanooga. Grimey is working on an album as well.
Now put your headphones in or turn your radio up to max volume. You are protesting.
Liz Holliday, the owner of “Thrifting Mom”, is not a mother, but she will wear and sell your mother’s clothes. “It’s your mom’s clothes. I sell clothes that your mom probably used to wear,” says Liz. Liz has had a passion for thrifting ever since high school and since then has developed her passion into a business. “ I ship nationwide, and most of my customers are regulars who always come back”, Liz says. Liz’s account has a current following of 1,542 and her items are sold within minutes of being posted. The process of making posts for her thrifty finds is simple; having her models rep her latest finds stand in front of a linen bed sheet hung by two paperclips. Liz gathers clothes from local thrift shops as well as from shops all over that are not the average Goodwill.
“Thrifting is important to me because it helps reuse and recycles clothes that will more than likely just end up in landfills and ultimately damage the environment”, says Liz. When individuals thrift, it helps boycott against supporting fast fashion. “Fast fashion is brands such as Forever 21 and H&M, that overproduce really cheap clothing by means of cheap labor,” explains Liz. Many fast fashion brands have factories in foreign countries that do not pay their workers adequately, make them work in unsafe conditions, and place their waste in landfills. “ I like to wear clothes that I thrift, because it’s sustainable fashion”, says Liz, “clothes that were made in the ’70s, ’80s, and ’90s were just made differently than the clothes that are made today. I like the durability of the clothes I go for and the stories that are behind those individual pieces.” Liz helps raise awareness of fast fashion through her posts on her Instagram “@Thriftingmom”. Liz has an end goal of having an official online store. “ I didn’t think that this would continue for this long, but I definitely want this passion of mine to continue with me through the next chapters of my life”, says Liz.
You can see her latest posts and thrifts you can buy on Instagram “@Thiftingmom”
Meet the Storyteller
McKenzie Carver is a junior at the University of Tennessee at Chattanooga and pursuing a degree in Communication and Spanish. McKenzie is passionate about traveling and the people she meets along her travels. For inquiries or more information, contact her at email@example.com.
A mouthful of a pancake drenched in sweet maple rests on Brooklyn’s palate as her mother, Brittany Pickett, adjusts her earrings and prepares her for daycare. Brittany is a single African American mother, who has risen to the challenge of raising her child alone, due to the incarceration of her baby’s father, Shaun Theus. Shaun has been incarcerated for almost three years, which means that Brooklyn has suffered the damage of single parenthood for the majority of her life. Shaun was incarcerated after being convicted of drug charges, although there were no drugs found on him at the time of his arrest.
The mass imprisonment of Black males has been a proven statistic for decades. According to the “Sentencing Project,” Black males account for 38% of the imprisoned population, but only 12.7% of the United States population. The mass, and often unjust, imprisonment of Black fathers contributes to generational curses, where children are raised in these single parent households from one generation to the next.
Without the presence of a father figure, these African American children are brought up not knowing how to be a parent of their own one day or accept genuine love from a stable male figure. This has impacted Brittany and Brooklyn, as well as many other Black mothers and children in their community. Brittany stated, “Out of ten of my friends, seven of their babies’ fathers are imprisoned. Some of these arrests were justified, but others of them were victims of targeting and were caught in the wrong place at the wrong time.”
A challenge that Brittany faces is that Brooklyn does not genuinely know her father and may later struggle with growing in a relationship with him. Brittany explained that the lack of a father in these children’s lives causes detrimental effects, unless there are others who actively intervene and aid in the growth of these children—such as Brittany’s father.
Brittany rejoices in the fact that Brooklyn has been shown the love of a male figure in her life by her grandfather, Larry Pickett. It is individuals like Larry that help shape the futures and minds of children raised by a single parent, but without positive figures like him, these curses are much more likely to pass from generation to generation.
Meet the Storyteller
Lorenzo Pickett is a senior at the University of Tennessee at Chattanooga who majors in Communication. He has experience in guest services and has been a camp counselor for the past 4 years. Lorenzo’s passion is storytelling, creating art, and showing genuine love and loyalty to those around him. He can be contacted at firstname.lastname@example.org.