Chasing Cranes

Written by Maleah Holder

A conversation with Jason Jackson about the migration of the Sandhill Cranes with a focus on the refuge and TWRA.

As the sun peaks over the horizon, lighting the waters of Hiwassee Wildlife Refuge, thousands of trumpeting birds flock to the sky. Standing at just over three feet tall, the loud Sandhill cranes were a species once locally extinct east of the Mississippi River before making a victorious comeback.

These unique red-headed cranes take up residence at the Hiwassee Wildlife Refuge in Birchwood, Tennessee during the months of November through February for winter migration to feast on corn, wheat, and legumes planted by rangers along the river. 

The Sandhill cranes, though far from the only species to winter at the refuge, make up the majority of the avian population that roost along the waters of the Hiwassee River and have steadily grown in number in the nearly thirty years they have migrated there. 

Their unique appearance and success story have inspired a tight knit community. Locals from surrounding counties and an even larger population of photographers, birdwatchers, and storytellers alike are drawn in from across the nation for a chance to watch the cranes perform their sunrise spectacle. 

Cranes fly through the sky at the Hiwassee Wildlife Refuge. Thursday, February 1, 2024. Photo by Sammy Mckenzie.

Besides their looks, historians and environmentalists take a keen interest in them as well due to an impressive history of resilience as a living fossil. The fossil record suggests that the species is approximately 2.5 million years old. Their history, deep rooted presence in Cherokee folklore as a symbol of hope, and the thrill of sighting them or one of their endangered subspecies, keeps people coming back year after year to visit the Hiwassee refuge, despite its location being in a very rural area. 

The refuge itself, located just down the road from the Cherokee Removal Memorial Park, hosts an imposing 6,000-acre property. The area includes a large portion of the Hiwassee river that the birds roost on in addition to well-eaten corn and wheat fields. 

At an average of 3+ feet with a stripe of bright red atop their heads, they’re an easy-to-spot subject for both seasoned and beginner wildlife photographers. Not long ago, they were a much rarer sight similar to their extremely endangered subspecies the whooping crane.  Numbers that were once worryingly low due to over-hunting and wetland habitat destruction now have skyrocketed to a population of thousands of Sandhill cranes that flock to the site, making a stunning view for those who catch them in action particularly during sunrise. 

According to Jason Jackson, area manager of the Hiwassee Wildlife Refuge, “You can’t hunt on the refuge, the refuge is a safe place for the birds to make sure that a whooping crane isn’t killed, and you can’t hunt after three in the afternoon, you know to make sure they aren’t killed flying to their roost which is a good thing.”

These are just a few of the numerous regulations in place to ensure that the rarer subspecies of these magnificent cranes are not harmed any further. Others include a kill limit and required special permits. Regulations such as these ensure that the Sandhill cranes are not over hunted back to their previously low numbers, but rather continue to grow in population across the United States.

Though an exact count on the birds is near impossible, Jackson estimates approximately 100,000 Sandhill cranes populated the refuge this year alone at the peak of migration. Many have moved on as their wintering ended with February, yet the birds are still a common sight along the river that draw in both locals and tourists, whether they enjoy anything from watching the birds to hunting them. 

Their popularity among the community has contributed to much of their recovery in numbers as well. Refugees throughout the United States ensure that all activities surrounding the area are restricted to protect them while still permitting recreation during most of their wintering. Rangers and game wardens alike such as those associated with the Tennessee Wildlife Resources Agency (TWRA) enforce strict rules and permits regarding hunting of the birds and where on the property people can boat and fish. The rangers also act as caretakers when planting corn and wheat for the birds to feast on as the cranes are one of the biggest contributors to local crop consumption, much to the surrounding farmers’ dismay. 

The Sandhill Cranes flock in the sky at the Hiwassee Wildlife Refuge. Thursday, February 1, 2024. Photo by Sammy Mckenzie.

The hubbub surrounding the Sandhill cranes have created another unexpected uptick in tourism that revolves around the three day festival celebrating the cranes over a weekend in mid-January. The festival offers family friendly activities for those who do not otherwise hunt, birdwatch or photograph, getting younger generations involved in conservation and nature. Conservation has been the key to restoring Sandhill crane numbers, and will hopefully lead to the same recovery in their subspecies. 

Storytellers such as Brian “Fox” Ellis of the Illinois Audubon Society who perform for the younger audience draw in crowds that bring awareness to the inspiring recovery of a beautiful species once at risk of endangerment and the future hope for other avian species.

“I do think cranes are a wonderful symbol of hope…you know we have made a lot of mistakes over the years but if we can learn from our mistakes, and I think more importantly, learn from our successes,” Ellis said. “What have we done well with the whooping crane? What have we done well to restore habitat so that Sandhill crane numbers are booming? Habitat is the key word.”

Sandhill cranes represent hope, and their newfound popularity gives just that to the subspecies that are critically endangered. The Whooping crane, Asian crane, Mississippi Sandhill and Cuban Sandhill are all critically endangered in the wild. Refuges around the world such as Hiwassee support open habitat that draw these rare cranes in and gives them a greater chance at recovery with no permission to hunt them due to their drastically low numbers.

Two of these endangered cranes have also previously been sighted at the Hiwassee Refuge. Among the thousands of red-streaked heads, crowds of lucky photographers and bird watchers had the pleasure of sighting a Whooping crane and an Asian crane in previous years. Closely watched and protected by staff, the cranes enjoy their carefully maintained fields before flying off again and leaving the crane community craving more.

Sandhill cranes have become a welcomed omen of luck and hope not only to Cherokee culture, but to all who participate in the community founded around them. Drawing in crowds as they trumpet through the morning sky, Sandhill cranes provide an inspiration to all who watch from below.

Koleby Gilbert spoke with Brian Fox Ellis on the significance of the Sandhill cranes to the Chattanooga community.

Crane Tales

Written by Alexis McMurtry

Cranes land on neighboring farmland close to the Hiwassee Wildlife Refuge. Thursday, February 1, 2024. Photo by Sammy Mckenzie.

Sandhill cranes are ancient representations of growth, happiness, longevity, and ingenuity. Their trademark red stripe is a symbol for many through the centuries, and for others, it’s a shooting target. 

These creatures can be found locally at the Hiwassee Wildlife Refuge, where thousands of these large birds lay for their wintering months. However, despite 6,000 acres of land, the cranes still tend to make their way onto neighboring farms. 

Jamie Hickman, a farmer of 40 years with several 100 acre farms in his name, is one of the many people who see the cranes without ever having to step foot on the refuge.

“[The cranes are] extremely damaging to crops. In the years past, I’ve had as much as 80% of crops in particular fields destroyed by them,” said Hickman. “In the spring, in this one particular 12 acre field, we had wheat in it. When we went to mow and bale it, the field made like five or six bales of hay, when it should have made 60 bales.”

According to the U.S. Department of Agriculture and Wildlife Services, a flock of 100 cranes foraging in a cultivated cornfield can consume over 240,000 kernels, or 100% of approximately 8 acres in three days. That damage is typically spread across fields, rather than in one specific location. 

Hickman has experience with physically running the birds off of the fields by scaring them with his truck, but since hunting of the cranes has been allowed, he finds himself dealing with less and less damage to his farms.

“Since they’ve allowed huntin’, there has been a decline in the regularity of them coming [onto the farm]. I’m not about killing all of ‘em, but I want to regulate the damage they do.” Hickman said. 

The Greater Sandhills, known as “ribeyes of the sky”, were once hunted to extinction east of the Mississippi but have since grown to almost 90,000 in Tennessee alone. The hunting of them is heavily regulated to avoid over-hunting and accidental shootings of the endangered Whooping crane. 

“My grandmother used to say, ‘boy, it takes a lot of different kinds to make the world go round.’ And that’s how I view the cranes,” said Hickman. “I don’t like ‘em, but I guess they got their purpose in this world.”


Meet the Storytellers

Maleah Holder is a senior communication major with an anthropology minor at the University of Tennessee at Chattanooga. Holder has experience as a section editor of Rising Rock and is proficient in writing, editing, and social media management. She frequently works with nature conservation organizations to support and spread awareness of responsible eco-tourism and promotes such things in her work as a writer. As such she intends to go into outdoor journalism after completion of her degree. If you would like to support conservation efforts with Maleah Holder, contact her at maleahholder@gmail.com.

Koleby Gilbert is a senior at UTC with a double major in Art History and Communication. He is currently working as a staff photographer for both The Echo and Rising Rock, as well as being an archive specialist at the Bessie Smith Cultural Center. His passions lie in photography, graphic design, art and research. After graduating with a B.S. in Communication and B.A. in Art History, he looks to pursue a career in multimedia journalism. He is rooted in Chattanooga and its surrounding communities, always looking for ways to connect through collaborative storytelling and art advocacy. To inquire, collaborate, or simply have a chat with Gilbert, he can be reached at kolebygilbert@icloud.com. 

Caleb McCool is a visual storyteller with extensive experience in documentary photography. He is a senior communication major with a minor in creative writing at the University of Tennessee at Chattanooga. Through imagery, he enjoys connecting the viewer with the world around them, allowing ordinary people to share extraordinary stories. Caleb has worked on independent projects and enjoys the process of using and developing film, providing a unique appreciation for photojournalism. He seeks out opportunities to expand his skillset through work with The Echo, Photojournalism, and now Rising Rock with intentions to pursue a career in this field after college. To contact Caleb, email him at kwn795@mocs.utc.edu.

Sammy McKenzie is a driven photojournalist with a mission to capture others in their truest form as well as help tell stories through meaningful imagery. She gets to accomplish this goal through her position as the photo editor for The University Echo. Outside of photojournalism, Mckenzie has built her own photography business specializing in portraits and wedding photography starting in 2019. McKenzie has found a passion for storytelling in a journalistic style through her involvement with the Echo, Rising Rock, and photojournalism. McKenzie is set to graduate in May 2024 with a degree in Communication. Upon graduation, McKenzie hopes to seek a career where she can stay behind the camera. To view more of her portraiture work visit her website at www.sammymckenzie.com. To contact and connect with McKenzie, reach out through email at sammymckenzie@icloud.com

Alexis McMurtry is a junior attending the University of Tennessee at Chattanooga as a communication major with minors in psychology and women, gender, sexuality studies. Alexis has experience working with the Echo where she has developed skills in photo editing, leading, and photography. Her passions lie in photojournalism, where she captures the minor moments that make a memory whole. She desires to use her knowledge of photojournalism to share the hidden moments on the edges of society and give life to those that lost it. To see your moments from her lens, reach out at wzv284@mocs.utc.edu.

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